tiyatro

Tiyatro, çeşitli tiyatro 
gösterilerinin izleyici önünde oynandığı yere denir. Tiyatro sözcüğü Yunanca’da “seyirlik yeri” anlamına gelen teatron’dan türetilmiş, dilimize İtalyanca’daki teatro sözcüğünden geçmiştir. Tiyatro, hayatta gelip geçmiş veya olabilecek ya da tümüyle imgesel olayların belli yerlerde, yetenekli kişilerce (artistlerce) seyirciler önünde canlandırılması sanatıdır.Theatre, various theatre show onlooker in the front beplayed place DENİR.Theatre word In Yunanca ' SEYİRLİK place ' meaning come was produced from tongue İtaly Teatro is past from the word.Theatre life come past or Possible completely ımaginary event known places, capable persons audience in the front liven up art.

ART - resim, özlem, duygu ve düşüncelerin belli estetik kurallar çerçevesinde iki boyutlu bir düzlem üzerine yansıtılmasına dayanan sanat dalı. Resimde hacim, mekân, hareket ve ışık etkileri, resimsel öğeler aracılığıyla elde edilir; bunlar biçim, çizim, renk, ton farklılıkları, doku özellikleri vb'dir. Öğelerin çeşitli biçimlerde bir araya getirilmesi resmin kompozisyonunu oluşturur.

Resim sanatı

Renk, ışığın değişik dalgaboylarının gözün retinasına ulaşması ile ortaya çıkan bir algılamadır. Bu algılama, ışığın maddeler üzerine çarpması ve kısmen soğurulup kısmen yansıması nedeniyle çeşitlilik gösterir ki bunlar renk tonu veya renk olarak adlandırılır.

ıÜüEski kültürlerde toplum üretilecek resimlerin konusunu, tekniğini, biçimini, malzemelerini denetim altında tutar, yapıtların s niteliğini (örn. dinsel, bezemeci, eğitsel, eğlendirici vb) belirlerdi.

picture art, Longing, feeling, and DÜŞÜNCELERİN known ESTETİK the rules frame two dimension one DÜZLEM on reflect endure art spleen.Picture volüme, MEKAN, motion and light labels, picture element ARACILIĞIYLA is in the hand.These BİÇİM, ÇİZİM , colour, tone difference, weave peculiarity, Element various BİÇİMLERDE It' is brought together official composition form.

Colour, light different DALGABOYLARININ eye RETİNASINA arrive with arise one take. This ALGILAMA, light substance on multiplication and partly SOĞURULUP partly reflection because of variety show these, colour TONU or colour name.

Old culture community produce picture subject, technique, BİÇİMİNİ, material test under hold, quality of the work ( example:Religious, educational. ) they appeared.

müzik - music

ıÜüMüziğin tanımı tarihsel dönem, bölge, kültür ve kişisel beğenilere bağımlı olarak büyük farklılık gösterir. Özellikle 20. yüzyıl Çağdaş Batı müziğinde ortaya çıkan çok farklı müzik akımları, ortak bir tanımı büyük ölçüde imkansızlaştırmaktadır. Bunun ötesinde, gittikçe daha fazla insanın erişme olanağı bulduğu farklı kültürlere ait yerel müzikler de bu tanımlama zorluğunu arttırmaktadır.

The definition of the music Historical period, zone, culture and personal BEĞENİLERE tied big difference show. Peculiarity 20.yy Comprehensive West music arise a lot of different music current, partner one definition big measurement Impossible. This beyond, gradually more human being reach possibility find different culture belong to local music de this describe difficulty increase.

ıÜüThe art of cinema appeared in Turkey a few decades after the Lumiere brothers started their first cinematography shows in Paris in 1885. Film studios were established by the Ottoman state with the initiative of the Ittihat ve Terakki (Union and Progress) governments which attached importance to political propaganda. It is accepted that the Destruction of the Russian Monument at St. Stephans filmed by Fuat Uzkinay in 1914 is the first Turkish documentary. The Wedding of Himmet Aga, the filming of which was started in 1914 and finished in 1919, is the first full-length movie. During this period, thematic films were also made along with newsreels concerning the First World War. However, none of these films were released from the influence of the theater. The stage actor Muhsin Ertugrul, who started directing films when the first private movie studio was established in Istanbul in 1922, had a lasting influence on Turkish films until the 1950s. Atesten Gomlek (The Great Ordeal), 1923, which told a story that unfolded during the Turkish War of Independence and in which the first Turkish woman artress played; Istanbul Sokaklari (The Streets of Istanbul), 1931, the first Turkish film with a soundtrack; and Bir Millet Uyaniyor (A Nation Awakens), 1932, are among the most important films of Muhsin Ertugrul, who directed more than 30 films throughout his distinguished career. However, only one or two films were being made per year in Turkey up until 1950 and in this period, Turkish cinema was still unable to shake off the dominant influence of the theater.

Movies which have a real cinematographic narration and style and which are not overly burdened with the influence of the theater started with Lutfi Akad. He was inspired by the Poetic Realism of the French cinema and the American Film Noire , and intermeshed the ideas and styles he borrowed from these cinematic schools with Turkey's own sources. In this period which ended in 1960, approximately 60 films were being produced every year. Turkish cinema experienced a revival in the period which started after the 1961 Constitution went into effect. Film directors such as Metin Erksan, Halit Refig, Ertem Gorec, Duygu Sagiroglu, Nevzat Pesen and Memduh Un made successful films with some social context and implicit social comment. These films had very different themes, scenarios and narrative styles. In fact, Susuz Yaz (the Dry Summer), 1964, in which Metin Erksan touched on the realities in the rural areas, became the first Turkish film which gained international recognition. It won an award at the Berlin Film Festival. The new Turkish cinema, which continued to develop on a social-critical and realistic line, was influenced negatively by the increasing politicization of the country in the late 1960s. Meanwhile, the number of films produced reached 150-200 per year, but most of these films declined in quality. The increase in numbers, when coupled with the mass production of TV sets at the end of 1968 led to a crisis at Yesilcam (the film making district in Istanbul).

In the 1970s, new directors emerged: Yilmaz Guney, Sureyya Duru, Zeki Okten, Serif Goren, Fevzi Tuna, Omer Kavur, Ozcan Arca, Korhan Yurtsever and Ali Ozgenturk, who were influenced by the serious films of Lutfi Akad, tried to reflect political, economic and social issues. They produced many dozens of artistic movies which gained considerable international recognition both in Turkey and abroad.

In the aftermath of the 1980s, relations between the movie industry and the state developed to some extent and the Turkish cinema started to gain some recognition on the international arena. Films with psychological and social themes and films about woman's rights gained popularity.

The 1990s have been the most successful years. There is a distinct increase in the quality of the films produced. The increase in the numbers of university departments providing education in this field, the emergence of a generation of new directors, actors and actresses who had received a higher quality education, the aid given by the state in support of this branch of art, the competition between the cinema and television, and increasing international recognition are among the main factors which contribute to the recent increase in the average quality of the Turkish movies and which herald a brighter future for the Turkish cinema.

life in turkey